Since 2010, I’ve tried to understand how instruments of seeing shape our relationship to the world. Seeing Things is a way to make sense of the work I’ve made, exploring photography’s evolution in an age of cameras, satellites, screens, and now algorithms. The archive is organised into four conditions of sight; Evidence, Blind Spots, Double Vision, and Delusions.

Together, they map a terrain where seeing and believing are no longer the same. Here, every image is both a record and a mirror: evidence of the world we inhabit and of the systems through which we choose to see.