SEEING THINGS

2010—2025

Since 2010, I’ve tried to understand how instruments of seeing—cameras, satellites, screens, and now algorithms—shape how we understand the world. Seeing Things explores photography’s evolution in an age of data, surveillance, and automation, and is organised into four conditions of sight:

DISTANCE
BLIND SPOTS
DOUBLE VISION
DELUSIONS

Together, they map a terrain where seeing and believing are no longer the same. Here, every image is both a record and a mirror: evidence of the world we inhabit and of the systems through which we choose to see.


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