Right Here Right Now, Bob Dickinson, Art Monthly
Op Ed, LA Times
Public Life and the Private Screen: Mishka Henner’s No Man’s Land, Kate Albers, Circulation | Exchange
Mishka Henner Uses Google Earth as Muse, Philip Gefter, New York Times
Mishka Henner and Jill Orr Performing to the all-seeing eye, Helen Vivian, Artlink [Link]
The Man Who Laughed At Surveillance Technology, Alex Greenberger, Art News [Link]
Semi-Automatic: Mishka Henner, Lara Atallah, Art Forum Critics' Pick [Link]
Modern History vol 1. Bob Dickinson, Art Monthly, June issue
Degrees of Visibility: Mishka Henner's Views From Above, Alicia Guzmán, Widok. Teorie i praktyki kultury wizualnej, Number 8 [Link]
Portfolio, Prefix Photo, #31 [Link]
Mishka Henner: Bouncing Off Satellites, Falling to Earth, Dan Rule, Vault [Link]
Mishka Henner: Art as Geospatial Intelligence Gathering, Robert Shore, Elephant [Link]
Artforum cover, April 2015 issue
2014
The Fifth Prix Pictet, Emma Crichton-Miller, Apollo Magazine [Link]
Mishka Henner: Black Diamond, Fatema Ahmed, Icon [Link]
Black Diamond, Louise Benson, postmatter [Link]
Black Diamond – Mishka Henner, George Vasey, Photographers' Gallery Blog [Link]
Le Mois de la Photo à Montréal, Christy Lange, Frieze [Link]
Kunst Für Eine Bessere Welt, ART
The Forum, BBC World Service [Link]
Mishka Henner on Lies, Leaks and the Commodification of Life, Blouin Artinfo [Link]
Snapshot: Centerfire Feedyard, Financial Times [Link]
The Art of Oil, The Observer Magazine [Link]
Above the Industrial Meat Machine, Wired [Link]
Origins Story, Through a Modern Lens, New York Times [Link]
Exposure, Mother Jones, Nov/Dec issue
War, Technology, Distance, Paul Wombell, British Journal of Photography [Link]
What Google Maps Can't See, New Yorker [Link]
Unbelievable Photos Show Factory Farms Destroying The American Countryside, Business Insider [Link]
Striking Satellite Photos Show What the Meat Industry Is Really Doing to America, .Mic [Link]
Texas Beef Industry Worried the EPA Is Cracking Down on Dumping Crap into Waterways, Dallas Observer [Link]
Kulturkampf in der Küche, Suddeutsche [Link]
Mishka Henner: a Duchamp for our times, The Telegraph [Link]
The art of oil, Observer Magazine [Link]
Centerfire Feedyard (2013) by Mishka Henner, Financial Times [Link]
Aerial Photos Capture Two Of America's Most Precious Resources: Oil And Beef, Fast Company [Link]
2013
Le Mois de la Photo à Montréal, Christy Lange, Frieze [Link]
The Fine Art of Spying, Ellen Gamerman, Wall Street Journal [Link]
Feed Lots, Nicola Twilley, Edible Geography [Link]
What's the Point? Pavel Buchler, Source, Issue 75
Picking Up The Pieces, Chris Wiley, Aperture, August [Link]
Dutch Landscapes, Moritz Neumüller, European Photography, Number 93
Mishka Henner: Open Eye Gallery, Sarah James, Frieze, June [Link]
What’s Real Today (Check Again Soon), Holland Cotter, NY Times, May [Link]
Les Nouvelles Visions de la Ville, du Bauhaus a Google Earth, Beaux Arts, April
Do you really call this art?, Rob Cooper & Steve Robson, Daily Mail, April [Link]
Deutsche Börse Photography Prize: Mishka Henner, The Telegraph, April [Link]
Mashups and Moon Walkers, Adrian Searle, The Guardian, April [Link]
A Different Kind of Order: ICP Triennial, Jessie Wender, New Yorker, April [Link]
Eighteen Pumpjacks: A Look at Oil on the American Landscape, Time Magazine, 26 September [Link]
Big Oil Seems Downright Puny When Seen From Space, Wired Magazine, 16 October [Link]
These Horrifying Photos Show A Destroyed American Landscape That Agriculture Giants Don't Want You To See, Sydney Brownstone, Co.Exist [Link]
A look at two of Texas’ biggest exports from high above, Houston Chronicle, 13 August [Link]
2012
Cinema's snappers reassembled Marclay-style, Phaidon, December [Link]
Less is More, Colin Pantall, British Journal of Photography, April [Link]
Mishka Henner's 'Less Americains' Digitally Erases Robert Frank, Katherine Brooks, Huffington Post, May [Link]
Retouching a Classic: ‘Less Américains’, Jeffrey Ladd, Time Magazine, March [Link]
Uendelig Opplag, Anngjerd Rustand, Vagant, March-May
Mishka Henner’s erased images: art or insult?, Sean O’Hagan, The Guardian, May [Link]
The Golden Age of Dutch Aerial Landscapes, Giampaolo Bianconi, Rhizome, June [Link]
Artistically censored Google Earth pix - the Dutch way, CNet, May [Link]
The solar system on paper, New Scientist, January [Link]
Beef & Oil, Vice magazine worldwide, December
Pump It Up, New York Times, 15 April
The Avant-Garde at the Net, Bauhaus, December
Google Earth Vous Regarde, Le Monde, 19 May
2011
Dutch Landscapes, David Chandler, Photoworks, issue 17
Dutch Landscapes, Clément Chéroux, Mutations, Steidl
Virtueel Toerisme in de Woestijn, Toine Heijmans, De Volkskrant, 3 September
Fotograaf Zonder Camera, Hans Aarsman, De Volkskrant, 10 August
No Man’s Land, Source Magazine, issue 68
Mishka Henner, Matthias Harder, Photography-Now Journal of Photography & Video Art, 4.11
Blind Leading the Blind, Diane Smyth, British Journal of Photography, August
Photographing the Prostitutes of Italy’s Back Roads, Prison Photography, August
Google’s Mapping Tools Spawn New Breed of Art Projects, wired.com, August
Google Street View and Authorship, Jorg Colberg, Conscientious, August
No Man’s Land, DVA Photo Magazine, May
From Here Flows the Artery of Life, OjodePez, Issue 25
Virtueel Toerisme in de Woestijn, De Volkskrant, 1 September
Fotografieprijs Kleine Hans voor Mishka Henner, De Volkskrant, 12 July
No Man’s Land, Guardian Magazine, 9 July
Dutch Landscapes, Spectrum, Sunday Times Magazine, 1 May
