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SUPER VISION

2010—2025
Super Vision is a comprehensive presentation of works by Mishka Henner, an artist whose work has redefined the possibilities of photography in the twenty-first century. Through satellite imagery, digital platforms, artificial intelligence, and appropriated archives, Henner has consistently revealed infrastructures and image systems that shape our political, social, and cultural reality yet remain largely invisible.


Natural Buttes Oil Field, Uintah, Utah (2012)


From the censored polygons of Dutch Landscapes (2011) and the sprawling abstractions of Fields and Feedlots (2012–13), to the reimagined histories of Less Américains (2012) and Search History (2023), Henner’s projects expose both the mechanisms of power and the conditions of seeing. His work operates at the intersections of control, transmission, and artifice: mapping hidden geographies, collapsing distances between distant events and intimate experience, and transforming the materials of art itself into new cultural forms.

In reframing the documentary tradition for a post-internet age, Henner has expanded photography’s remit beyond the camera, positioning it as a dynamic system of networks, signals, and codes. Super Vision situates this practice as both a critique and celebration of the image: one that forces us to confront how we see, what we believe, and what remains hidden in plain sight.


Explore the works ︎︎︎