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Feedlots, 2012 – 2013
Archival pigment prints in steel frames.
59x102 inches (150x258cm) / 40x48 inches (102x122cm)
An edition of 250 numbered prints of Coronado Feeders, Dalhart, Texas is available to buy here.

US feedlots photographed by satellites orbiting Earth.

FEEDLOT PRIMER




Feed Lots, Nicola Twilley, Edible Geography
Semi-Automatic: Mishka Henner, Lara Atallah, Art Forum Critics' Pick
How the Meat Industry Marks the Land, Op-Ed, LA Times
Factory Food From Above, Brandon Keim, Wired
Mishka Henner: Art as Geospatial Intelligence Gathering, Robert Shore, Elephant
Your Summer Grilling Meats Could Have Come From These Colossal Animal Feedlots, Slate Magazine
Landmark: The Fields of Landscape Photography (2014) William Ewing, Thames & Hudson
The Surreal Beauty of Feedlots by Satellite, Ben Valentine, Hyperallergic
The Man Who Laughed At Surveillance Technology, Alex Greenberger, Art News
Mishka Henner: a Duchamp for our times, Lucy Davies, Daily Telegraph
The Handbook of Textile Culture (2015) Jasleen Dhamija, Bloosmbury
Infectious Disease in Policy & Politics in Nursing and Health Care (2015) C Dentinger & J Simmerman
Perspectives on Place (2015) J.A.P. Alexander, Bloomsbury
Post-Photography: The Artist with a Camera (2014) Robert Shore, Laurence King
Feedlots, Colin Pantall, Foam Magazine
Mishka Henner, Sarah James, Frieze
The Human Stain, Michelle Legro, New Republic
Fed Up, Pacific Standard Magazine
Search History, Selina Oakes, Corridor8
Can a Feedlot Be Beautiful? Willy Blackmore, Takepart


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